SELECTED SOLO and 2-PERSON PROJECTS

2007 Shift, a collaboration with Karen Kersten. City of Las Vegas Gallery.
2007 Social Distortions (in Blabbable Doodads, with E. Hwang). Curated by Studio Islander. Mission 17 Gallery. SF.

2006 It's All There. Pierogi. Brooklyn.

2004 Ulysses, an on-going collaboration with Alva Noë. Berkeley.
2004 Going off course. Susanne Vielmetter LA Projects. Los Angeles.

2002 Vend & Convey-- Section I, Alexander Nagel's. Toronto, Canada.
2002 A Brief Message About Containment, Art Chicago Project Room (with POST). Chicago.

2001 Means of Conveyance, Pierogi. Brooklyn.
2001 August, an on-going collaboration with Alva Noë. Santa Monica.
2001 Means of Conveyance, POST. Los Angeles.

2000 I Only Stop Once, Refusalon. San Francisco.

1999 Don’t Forget to Ask for Directions, POST Wilshire. Los Angeles.
1999 2 Standard Stops, elevator installation. POST. Los Angeles.
1999 Always In a Hurry. Never Gets Lost. Southern Exposure. San Francisco.

1998 Mapping Disruption (New Planning, Part 2), Guggenheim Gallery. Orange, CA.
1998 New Planning. POST. Los Angeles.

SELECTED GROUP EXHIBITIONS

2007 Two things at the same time. Curated by Melissa Day and Jonn Herschend. Peak Gallery. Toronto.
2007 Pierogi Flatfiles. Curated by Austin Thomas. Pocket Utopia. Brooklyn.
2007 Timelines. Curated by Chris Fitzpatrick. Mina Dresden Gallery. SF.
2007 Cultivating Creativity. Curated by Berin Golonu. Yerba Buena Center for the Arts. Berkeley, CA.

2006 Off the Shelf: New Forms in Contemporary Artists’ Books. Curated by Mary-Kay Lombino. Vassar College.
2004 Fellowship Projects. Kala Art Institute. Berkeley. CA.

2004 PowerPoint to the People (with Alva Noë in performance). Pacific Film Archive. Berkeley, CA.
2002 Brooklyn Gravity Racers: Pierogi á Go-Go. Pierogi. Brooklyn.
2002 Vacation Nation. Pierogi. Brooklyn.

2003 Superstructures: architecture in the artists' imagination, curated by Elinor Buxton. ArtSPACE. New Haven, CT.
2002 Systems of interiors and exteriors for better living, curated by Martin Durazo. Pitzer College. Claremont, CA.
2002 Commissioned artist. TED [Technology Entertainment Design] Conference. Monterey, CA.

2002 LA Post-Cool, curated by Michael Duncan. San José Museum of Art. San José, CA.
2002 Art on Paper, Weatherspoon Art Museum. UNC, Greensboro.
2002 Refresh: the Art of the Screen Saver, curated by Jim Buckhouse. ICA. London.

2001 Removed II, curated by Christina Valentine and John O’Brian. Angel’s Gate Cultural Center. San Pedro, CA.
2001 Digital: Printmaking Now, curated by Marilyn Kushner. Brooklyn Museum of Art.
2001 Cross-Pollination, curated by S. Joyce & M. McCorkle. Holland Tunnel Gallery (NYC) & LA Arboretum.

2000 Refresh-- the Art of the Screen Saver, curated by Jim Buckhouse. Cantor Center for the Visual Arts, Stanford.
20002000 Traveling Flat Files, Pierogi 2000, curated by Joe Amrhein. San Francisco, Los Angeles, Kansas City.
2000 Techno Residium. Cerritos College, Los Angeles.

1999 Post-Millenial Fizzy, curated by Julie Joyce and Adam Ross. Philadelphia.
1999 The White Cube at the Final Frontier, curated by Richard Turner. Guggenheim Gallery. Orange, CA.
1999 Venus, curated by Habib Kheradyar. Brasilica Gallery. Vienna, Austria.
1999 Office, curated by Regine Basha. Staff USA Gallery. New York City.
1999 The Bingo Ball, Santa Monica Museum of Art. Santa Monica.
1999 Post-Millenial Fizzy, curated by Julie Joyce and Adam Ross. Luckman Gallery, Cal State. Los Angeles.
1999 Vanishing Points, curated by Joan Linder. Michael Gold Gallery. New York City.
1999 Horizontal Vertigo, curated by Joan Linder. Rudolph Poissant Gallery. Houston, Texas.

1998 6130, POST Wilshire. Los Angeles.
1998 New York International Art Fair, with POST. New York City.
1998 8.1/29.98, curated by Habib Kheradyar, POST. Los Angeles.
1998 Hey, You Never Know, curated by Kenny Schachter. New York City.
1998 Winter Selections ‘98, the Drawing Center. New York City.

1997 One Hundred Dollar Show, curated by Habib Kheradyar, POST. Los Angeles.

1996 1st Soho Annual Student Art Competition. New York City.
1996 Shovel and Shuffle, 4 Walls. Brooklyn.
1996 24 degrees, curated by Kenny Schachter. New York City.

1994-6 New American Talent: the 10th Exhibition, Texas Fine Arts Association. Austin, Texas.

1993-5 Drawing into the 90s, Texas Fine Arts Association. Austin, Texas.
 

SELECTED AWARDS

2005 Fellowship with stipend. Kala Art Institute. Berkeley.
2005 Visiting artist residency. Department of Art Practice, University of California, Berkeley.

2002-3 Cité Internationale des Arts. Grant of studio space with residency. Paris, France.

1998-9 Visiting artist. Stanford University Digital Art Center.

1994-6 Columbia University Graduate Fellowship.

1994 Chicago Artists Assistance Program Grant. City of Chicago.

1990 Marshall-Allison Traveling Fellowship. Art History Department, Yale University.
1990 Yale-Norfolk Summer School of Music and Art Fellowship

SELECTED BIBLIOGRAPHY

2007 Garbage women. Jarret Keene. Las Vegas City Life. September 20.
2007 2 Things at the Same Time. Gary Michael Dault. Toronto Globe and Mail. September 15.
2007 Miriam Dym and Eunjung Hwang. Allison Bing. FlashArt International. July-September.

2006 Off the Shelf. Catalog. Notes on books by Mary-Kay Lombino.

2005 State of the Art ‘05. LA Weekly. October 27

2004 Pick of the Week. Peter Frank. LA Weekly. May 21 -– May 27
2004 PowerPoint Message is the Medium. Daniel Terdiman. Wired News. December 10

2003 At Artspace. a lively meditation on architecture in ‘Superstructures’. Judy Birke. New Haven Register. May 25

2002 12 Art Moments, Doug Harvey. LA Weekly, December 28 – January 3
2002 Talk of the Town review, The New Yorker. December 26th and January 1 editions

2001 A Brief Message About Containment (in Digital: Revolutions in Printmaking at Brooklyn Museum)
2001---- Talk of the Town listing, The New Yorker, through September 3rd
2001 No room for reality, David Pagel. L.A. Times, June 29
2001 Digital: Revolutions in Printmaking. By Marilyn Kushner. (Photo) Brooklyn Museum of Art.
2001 Pierogi Press. January.

2000 Blinded by Buzzwords, Michael Duncan. Art In America, July, No. 7
2000 Miriam Dym, Michael Duncan. (Photo) Art In America, March, No. 3
2000 Miriam Dym, Jody Zellen. (Photo) Art Papers, January/December Vol. 24.1

1999 Miriam Dym, Ingrid Calame. (Photo) Art Issues, November/December #60
1999 L.A. Confidential, Michael Duncan. (Photo) Artnet, October 12
1999 Installation Evidence of Dym’s Whimsy, Christopher Knight. (Photo) L.A. Times, September 17
1999 Pick of the week, Peter Frank. LA Weekly, June 25 – July 1
1999 Futurama. Post-millenial déjà vu at Luckman Fine Arts, Doug Harvey. L.A. Weekly, April 9–16

1998 L.A. Undercover, Sue Spaid. (Photo) UKS-Forum, No. 3/4. Oslo
1998 Clowning Around With a Cliché, Cathy Curtis. L.A. Times (Orange County Ed.), September 15
1998 Notes on the Artwork of Miriam Dym, Adam Ross. Catalog essay for Mapping Disruption, New Planning, Part 2
1998 Taking a Fresh Look at the Webs Our Society Has Woven, by Leah Ollman. (Photo) L.A. Times, April 24

TEACHING

2005 University of California, Department of Art Practice

2000 Stanford University, Department of Art and Art History

COLLABORATIONS

With Melissa Day (since 2007)
With Karen Kersten (since 2006)
With Alva Noë (since 2001)

CONTACT

miriam AT dymproducts DOT com